Thursday, 23 March 2017

Chandeliers in Nicholas II’s Gothic Library

In 1895, the architect Krasovsky redesigned the former dining room on the 2nd floor of the Winter Palace into a library for Nicholas II in the gothic style. Walnut was used throughout: ceilings, upper gallery, walls with dark red embossed leather and gilt wallpaper, and furniture.

There were two ‘Gothic’ chandeliers adorning the library. It is unknown if they were specifically designed for the room or purchased from a company. By the 1930s, they were lost and no record has been found if they were dismantled or sold.

Photograph (below) of the Gothic Library c1917

From 1840s until 1917, chandeliers were encased in special woven covers and uncovered and lit only when the Emperor was in residence. They were hung low to be seen whereas today the remaining original chandeliers are near the ceiling.

After the loss of the original chandeliers in the Gothic library, staff placed old stained glass ones that disintegrated after time and then used modern globes.

Recently, the Hermitage unveiled replicas of the Gothic chandeliers by the architect Tatiana Kargina.

Photographs (below) of the Gothic Chandeliers today


Sales of Imperial property from the palaces took place during the 1920s-1930s of which the most well-known were Fabergé pieces and paintings. Chandeliers were also sold.

In 1937, Marjorie Merriweather Post’s husband Joseph Davies was appointed U.S. Ambassador to Russia. The couple went on a buying spree in Moscow and Leningrad collecting Imperial treasures.

There are today two chandeliers in Hillwood Museum, Post’s former home in Washington, that are identified as Imperial Russian with unconfirmed provenances.

Photograph (below) of the Chandelier in Hillwood’s Hall possibly from Gatchina 

Photograph (below) of the Chandelier in Hillwood’s Breakfast Room 

Were the chandeliers in Nicholas II’s Gothic Library sold during the 1930s and the current owners unaware of its provenance?

  

Monday, 20 March 2017

Court Photographer in Coburg Germany

On April 8th, 1894 Nicholas II became engaged to Alix while in Coburg to attend the wedding of Grand Duke Ernest and Victoria Melita.

On Thursday, April 14th, 1894 Nicholas wrote “… At 11:15 I went with Alix and all her sisters to the local photographer, where we had our pictures taken in various poses, each one alone and in pairs. The stuffiness in his studio was hellish …”

Photograph (below) of Nicholas & Alix taken on April 14th

Photographs (below) of Professor Eduard Uhlenhuth, the Court Photographer, and his former studio in Coburg


On Wednesday, April 20th, 1894 Nicholas wrote “… Alix and I … have our picture taken at Uhlenhuth’s. He brought photo proofs of us together; she is in an open-neck dress and I in my Hussar’s fur-trimmed jacket …”

Photograph (below) of Nicholas & Alix taken on April 20th

Eduard Uhlenhuth, born in 1853, opened his first studio in Coburg in 1880. By 1898, he had expanded his photography business to Rudolfstadt and Schweinfurt. His descendants continue the tradition today in Schweinfurt.

Photograph (below) of Uhlenhuth company in Schweinfurt today 

Saturday, 18 March 2017

Queen Victoria’s Forgotten Osborne & Albert Cottages

For half a century, Osborne and Albert Cottages, located outside the gates of Queen Victoria’s Osborne House on the Isle of Wight, were important Court residences. They were used by the Queen’s Private Secretary and other Household Officials, and for the overflow of guests from the Russian Imperial family to the Duke of Edinburgh’s, when the Queen was in residence at Osborne.

Photographs (below) of Osborne Cottage



On January 14th , 1878 Queen Victoria wrote in her journal “… After dinner we went to the Council Room and saw the Telephone. A Professor [Alexander Graham] Bell explained the whole process, which is most extraordinary. It had been put in communication with Osborne Cottage and we talked with Sir Thomas and Mary Biddulph, also heard some singing quite plainly. But it is rather faint and one must hold the tube close to one’s ear … The man, who was very pompous, kept calling Arthur Lord Connaught! which amused us very much …” [A.N. Wilson ‘Victoria – A Life’]

Correspondence (below) of the Queen’s Purchase of Telephones for Osborne House




On Saturday, July 9th, 1894 Nicholas II wrote in his diary “… I rode with Alix to the Swiss Cottage, where we ate fruit; then we looked over Osborne and Albert Cottage. I remember nothing of our coming here in 1873 …”

Photographs (below) of Albert Cottage




Albert Cottage is next to the ceremonial entrance ‘Sovereign Gate’ to Osborne House, used exclusively by the Queen and Royal family then and today.

Photographs & Plan (below) of  the Sovereign Gate



On Wednesday, July 22nd, 1909 Nicholas II wrote “… At 3PM we went ashore and rode off in automobiles to Osborne. We looked over … the palace of the deceased Queen where I had stayed 15 years ago … We visited Uncle Bertie’s three sisters at Osborne Cottage …”


Princess Beatrice’s 1901 Osborne Cottage Menu (below) 

Wednesday, 15 March 2017

The Lost Painting in the Empress’ Bedroom in the Winter Palace

Grand Duchess Marie, the daughter of Alexander II and Empress Marie, was with her mother in the Winter Palace in April 1880.

On April 8th, she wrote “… Missy’s [Princess Marie of Edinburgh] picture reached us quite safely, except that the frame was broken. Mama had it always on her bed or on a chair in front of her sofa …” Missy’s portrait was a gift from Queen Victoria to the Empress Marie. [Diana Mandache ‘Dearest Missy’]

Photograph c1917 (below) of the Bedroom of Empress Marie in the Winter Palace

Two years later, another portrait of Princess Marie of Edinburgh was commissioned. 

Beatrix Potter wrote in her journal on Sunday, February 5th, 1882 “… Mr. [John] Millais is going to paint the portrait of one of the Duchess of Edinburgh’s children. The duchess is staying with Princess Mary, Kensington Palace. Mr. Millais went to see her yesterday, doubtless very shy. She offended him greatly. She enquired where his ‘rooms’ were, evidently doubtful whether a Princess might condescend to come to them. ‘My rooms m’am are in Palace Gate’ … He says she speaks English without the slightest accent, the Russians are wonderful at languages…

Saw the Duchess’ little girl come out of Mr. Millais’ about quarter past twelve – brown bonnet, sealskin jacket, long yellow hair to the waist. Mr. Millais got a matting and an extra butler for the occasion, he’s telling them, see what his rooms are like! …”

Millais exhibited ‘H.R.H. The Princess Marie’ (below) at the Summer Exhibition in the Royal Academy of Arts in June 1882.

The portrait given by Queen Victoria to Empress Marie has been lost. There are no photographs and the artist is unknown. In the 1920 inventory of the historical rooms of the Winter Palace, the paintings listed in Empress Marie’s bedroom are ‘The Virgin’, ‘Madeleine’, ‘Angel of Prayer’ and ‘ Holy Alexander Nevsky’.


Although the portrait (above) has been identified as Grand Duchess Marie by K. Makovsky in 1905, is it the lost portrait of Marie of Edinburgh? There is no signature visible. In the turmoil after 1917, had it been labeled Marie, unsold during the 1920s-1930s, and then transferred to a museum until acquired by the Hermitage in 1946?

Sunday, 12 March 2017

Archduchess Stephanie in Peterhof & Wolfsgarten

In the Hofburg, Vienna on August 15th, 1896 Empress Alexandra wrote her brother Ernest “… Stephanie [widow of Crown Prince Rudolf of Austria] was directly charming – she must be coming now in a minute, as she wanted to see me a little quietly …” [Petra Kleinpenning ‘Correspondence of Empress Alexandra of Russia with Ernst Ludwig’]

On Saturday, July 12th, 1897 Nicholas II wrote “… Before lunch Stephanie arrived from Moscow, whom we met at the station and took to the Farm [Peterhof]. We settled her downstairs, where Alix had just been staying …” and on Sunday, July 13th “… After Mass we had lunch with Stephanie and her suite …”

On Saturday, July 19th, 1897 Nicholas wrote “… lunch which we had at Mama’s [Cottage Peterhof]. We all had our pictures taken there, vying with each other, we jumped on the net with Stephanie …” and on Sunday July 20th “… At 2PM we took Stephanie to the dock; Stephanie went off to Piter and then to Finland and to Valaam. We became so accustomed to her; she is completely warm and smart! …”

Aerials Photographs (below) of Peterhof and the Cottage


On September 6th, 1897 Grand Duchess Marie wrote her daughter Missy from Coburg “… Ducky wrote today that this tiresome Sephanie has announced herself, therefore she will hardly have time to come here. I am going to try to persuade Ducky to put her off. And then come Nicky & Alix & Henry & Irene, all with their children …” and on September 25th  “… Ducky wrote that Stephanies séjour was quite pleasant this time …” [Diana Mandache 'Dearest Missy']

Photograph (below) of Archduchess Stephanie and her daughter Elizabeth

On Saturday, September 11th, 1899 Nicholas and Alix arrived in Wolfsgarten “… We were put with children in Alix’ little house in very pretty rooms …” and on Sunday, September 12th Nicholas wrote “… At 12 Archduchess Stephanie arrived with her daughter and Niki from Friedrichshof …”

On September 19th, 1899 Grand Duchess Marie in Illinskoe wrote her daughter Missy “… Poor Ducky, do you know, I think it quite dreadful, those constant guests and so tiring. I believe the Majesties are going to stay an eternity, as Ella tells me, that Nicky particularly enjoyed the idea of a stay at Wolfsgarten. I cannot imagine that Stephanie ould wish such a very bad marriage for her only daughter. Nicky of Greece is a very nice boy, but now I consider him extremely cunning to have hit upon a very rich princess! …”

Aerial Photograph & Plan (below) of Wolfsgarten north of Darmstadt

On Sunday, October 10th, 1899 Nicholas wrote “… At 10:20 we went with Niki [of Greece] to Mass in Darmstadt and returned at 12:30. Max [of Baden] came to lunch and played tennis with us …” Later, Max was the former fiancé of Grand Duchess Helen, daughter of Vladimir and Maria Pavlovna, who then married Niki.

Thursday, 9 March 2017

Nicholas II’s Divan in His Private Study in the Winter Palace

In 1895, the architect Krasovsky designed Nicholas II’s private study on the 2nd floor in the Gothic style. He combined the former boudoir (182) and winter garden (181) rooms, retaining two of the open arches and enclosing the middle arch with a ceramic fireplace in 181. The room 182 contained a piano, bookcases and a large Ottoman divan.

Photograph c1917 (below) of room 182 showing the divan in the far corner

On Sunday March 3rd, 1896 Nicholas wrote “… Tea in our rooms. After baby’s bath I read. Then I slept for a while on my divan. At 8PM we all had dinner together at Xenia’s and Sandro’s [1st floor of the Winter Palace] …”

On Tuesday, March 19th, 1896 he wrote “… I woke with a headache, not knowing where it came from … After tea I read and then fell asleep [on divan] for half an hour … This picked me up somewhat …”

In February 1898, Empress Alexandra was ill for weeks with measles.

On Tuesday, March 17th, 1898 Nicholas wrote “… We slept in my Study on the corner ottoman-divan, since the bedroom was being disinfected …” and on March 18th “…the bedroom has been cleaned and put in order …”

Photograph (below) of Princess Alexandra of Hohenlohe-Langenburg in Nicholas’ Private Study (182) during her visit to the Winter Palace from January 5th to February 21st, 1900 with the divan in the background

 
Photograph (below) of the Private Study (182) today with only two arches remaining and the oak panelling and ceiling removed
 
Photograph (below) of the Private Study (181) today showing the three arches with the middle where the fireplace stood

Tuesday, 7 March 2017

An Important Day for Nicholas II, Xenia & Olga

On Thursday, April 9th, 1915 Nicholas II wrote “… An important day for me arriving in Galicia! At 10 AM came to Brody station … and then rode to Lvov…I visited Olga’s infirmary, where I saw Xenia. At 6:30 arrived at the Viceroy’s Palace…”

The rare photo (below) is of Nicholas meeting Xenia and Olga, at the entrance to the Garrison Church in Lvov that was published in the magazine «Лѣтопись войны 1914-1915» №40, май 1915. Is this the last photo of brother and sisters together?
 
Photographs (below) of Nicholas visit to Lvov and the Viceroy’s Palace